Book review: The Art of Purring

  Dalai Lama’s cat takes up the quest to define happiness

Dalai-lamas-cat-art-of-purring-michieRating: 4 1/2 out of 5 stars

In “The Art of Purring,” David Michie once again takes us on a delightful journey to reveal what only His Holiness’s Cat can discover in a Buddhist temple in this charming sequel to “The Dalai Lama’s Cat.” This time, the goal is no less than the pursuit of happiness.

Story: “What makes you purr? Of all the questions in the world, this is the most important. It is also the great leveler. Because no matter whether you are a playful kitten or a sedentary senior, a scrawny alley Tom or a sleek-coated uptown girl, whatever your circumstances, you just want to be happy. Not the kind of happy that comes and goes like a can of flaked tuna but an enduring happiness. The deep-down happiness that makes you purr from the heart.”

Before leaving for a teaching tour to America, the Dalai Lama poses a challenge to his beloved feline, HHC (His Holiness’s Cat): to discover the true cause of happiness. Little does she know what adventures this task will bring! (from Amazon.com)

Spiritual/metaphysical content: High. HHC ventures into new territory to discover the answer to the Dalai Lama’s challenge. While exploring yoga, an encounter with the mystical Yogi Tarchen leads to a discovery about her past with far-reaching implications. However, she learns that happiness doesn’t dwell in the past but only in the here and now.

The book explores both Eastern philosophy and Western science to describe a “happiness formula” and much more. It makes the point that everything is possible, even beyond events like clairvoyance, telepathy, and animal sentience.

My take: Michie takes his second Dalai Lama’s Cat novel into the realms of the magical with his lush and detailed descriptions of life among the Namgyal monks,particularly the inner workings of the temple and of Buddhist funeral rites. However, he keeps his philosophy firmly planted on all four paws. Although lyrical, The Art of Purring is a practical book written from the pragmatic perspective of this special cat who simply wants to know, what makes us purr? What makes us happy?

By hanging out at the Himalaya Book Café, HHC benefits from overheard conversations with famous writers, high-ranking lamas, and eminent psychologists discussing the relationship between happiness and success and the many facts of happiness, including its paradoxical nature. In many ways, this metaphysical novel is the perfect complement to the Dalai Lama’s The Art of Happiness.

What is the true cause of purring? The answer unfolds for both the cat and her reading companions with HHC’s trademark charm and a hint of mischeviousness that delights and entertains in equal doses.

Details:
The Dalai Lama’s Cat and the Art of Purring, by David Michie
Hay House, 2013
Paperback, 208 pages
Buy at Amazon

Book review: Cliff of the Ruin

5 Sparkly Stars for ‘Cliff of the Ruin’ by Bonnie McKernan

Cliff-of-the-Ruin

Tahlia Newland, guest reviewer

Rating: 5 out of 5 stars

Cliff of the Ruin by Bonnie McKernan is an awesome historical fantasy with complex undercurrents, spiritual depth and many surprises. It takes us from post revolution America, across the ocean to Ireland and into the lair of the Shee (the Sidhe).

The story begins like a straight historical novel. Mae lives with her aunt and uncle, and their children, Aaron, a young man, and Charlotte, still a child. All of them are keen to find a husband for twenty six year old Mae, but after a broken engagement, she isn’t particularly interested in taking the risk of opening up again.

Until she meets the man on the riverbank.

Kieran the fisherman was so beautiful, that I suspected some other worldly intervention, but the full truth of what was to become a mystery around this man only became clear at the end. The influence of the Shee grew as the story progressed, and I found myself gradually drawn deeper and deeper into a world where spaces dwelled within spaces and time had a different meaning.

After a shocking revelation about her supposedly dead father, Mae disappears with Kieran for two weeks, then returns with a fever, a ring on her finger and no memory of how it got there. Clearly, Kieran is a scoundrel, and Will, a handsome lawyer friend of Mae’s uncle, is called in to help sort out the mess. Mae must become free of this husband, but the options for divorce for women in the nineteenth century were limited.

To reveal more of the story would do the potential reader a disservice, so I will only say that the plot is full of unexpected twists and turns, and the end provides a dramatic culmination of a rich story. The pacing is impeccable, and there is nothing extraneous yet everything we need to go deeply into the characters which are finely drawn and very real.

Mae, Will, Aaron and Finegal, the old man who befriends them on the ship, positively leap off the page. Each have their secrets, their flaws, and their ghosts from the past, and for Mae and Will in particular, their journey to find the scoundrel husband and force a divorce becomes one of personal reckoning and eventually healing.

Will in particular is an interesting character, his qualities of faith, strength and discipline are endearing, and his words to Mae about love underline the theme of the book.”A love that rests on beauty is meaningless.” He also says that though God is love, love is not God. A distinction that becomes clear in the actions of Petra, a Shee woman who wants to keep Kieran for herself.

The other major theme is that of forgiveness. It is clear from this story that bearing a grudge brings no happiness and rights no wrongs, and that no matter how much others forgive us, we are only forgiven when we forgive ourselves.

There are some lovely passages and snippets of wisdom in the book, like this one from Mae’s aunt when referring to issues in our life that we would rather forget, but need to deal with.

“No. Not forget. We never forget.” Aunt Gwendoline caressed her cheek. “To drain poison from the memory.”

And this lovely metaphor as a description of the state of grace that came over Will when he put his trust in God.

He didn’t need to search for the truth or even test it; it poured over him now and filled him like a dried up sponge becoming new again.

Details:
Cliff of the Ruin, by Bonnie McKernan
Published by Abbott Press, 2012
Paperback, 416 pages
Buy at Amazon

Tahlia Newland writes heart-warming and inspiring contemporary fantasy, magical realism, and visionary fiction at tahlianewland.com, and she also writes reviews for AwesomeIndies.com

tahlia newland visionary fiction author

Tahlia Newland

Book review: The Novice by Thich Nhat Hanh

 Thought-provoking spiritual novel inspires compassion

Bernie Gourley, guest reviewer

The Novice by Thich Nhat HanhRating: 5 out of 5 stars

The Novice is the retelling of a Vietnamese folk tale about a young monk who is repeatedly wronged, but who always does the virtuous thing. As I read this book, I thought the story seemed familiar, and I realized that I read the same story as The Martyr by Ryūnosuke Akutagawa. Akutagawa does a much better job of story building. The Japanese writer doesn’t reveal to the reader that Lorenzo (his novice and the equivalent of Thich Nhat Hanh’s Kihn Tâm) is a female until the end—thus definitely resolving the claim that the young monk fathered a child out-of-wedlock and in contravention of vows for the reader at the same time as the characters in the story learn it.

Thich Nhat Hanh tells us that the novice is a female at the beginning, and he does so via backstory that serves both to give justification for why Kihn Tâm chooses to disguise herself and become a monk and to pile onto the injustice. We learn that Kihn Tâm’s female alter ego had been married, but the marriage ended with a false accusation of attempted murder of her husband. This backstory probably isn’t worth the drag for either of the aforementioned purposes—but the former is more justifiable than the latter.

What Thich Nhat Hanh lacks in gripping narrative structure, he gains in provoking thought. The Zen monk and poet gives the reader insight into how Kinh Tâm manages to be preternaturally virtuous. In The Martyr this is a black box affair. Hanh also encourages the reader to see Kihn Tâm’s accusers as the novice does, i.e. with compassion. Akutagawa does what any writer would do; he vilifies the accusers so as to make the story resonate with the average, petty, martyr-complex prone reader—as opposed to the enlightenment-aspiring reader. Hanh leaves the other monks in Kinh Tâm’s corner, i.e. when everyone else is condemning the novice, they still believe in her. In Akutagawa’s story, monastics are not inherently so perfect.

The book offers some interesting back matter. The most substantial of the appendices is an account by Sister Chan Khong of the works of Thich Nhat Hanh and his followers both during the war and afterword when they tried to establish a monastery in Communist Vietnam. The essay echoes the themes of loving-kindness and compassion that form the core of the novella, as does the essay by Hanh that brings the book to a conclusion. While this back matter is filler to make up for the fact that the story is not novel length, it nevertheless makes for interesting reading.

I’d recommend this book for those with an interested in Zen. If you’re looking for a good story, read Akutagawa’s The Martyr, but if you want to be inspired to compassion, read Thich Nhat Hanh. 

Details:
The Novice: A Story of True Love, by Thich Nhat Hanh
HarperOne, 2012
Paperback, 120 pages
Buy at Amazon

This book review was reprinted with permission from Bernie Gourley, who writes at http://berniegourley.com

Book review: Veronika Decides to Die by Paulo Coelho

 Metaphysical novel borrows from Coelho’s own experience

Veronika Decides to Die Paulo Coelho

Bernie Gourley, guest reviewer

Rating: 4 out of 5 stars

Veronika Decides to Die is about a young Slovenian woman, Veronika, who attempts suicide, fails, is institutionalized, and is informed that her attempted suicide damaged her heart and she has only five days to live. In the hospital she has to come to grips with what it means to be dying, but also what it means to be insane.

The book deals with the effect of Veronika’s death sentence diagnosis on her as well as on other patients with whom she interacts. The first patient Veronika comes in contact with is a depressive named Zedka who offers Veronika advice and insight. Then there is Maria, a woman who withdrew from her professional and family life to be institutionalized because she was having inexplicable panic attacks. Finally, there is Eduardo, a schizophrenic who is virtually non-functional when he meets Veronika, but who ends up in a relationship with the young woman nonetheless. These patients come to realize that they are hiding out at the hospital. They stay in the hospital because they are free to defy norms without judgment. When Veronika decides she doesn’t want to die hiding out, it has a profound impact on the others.

The book borrows heavily upon Coelho’s personal experience. He was institutionalized as a young man by parents who were disturbed when he went artsy and began hanging out with undesirables. Interestingly, Coelho has a cameo role in the book as himself. In the book he writes an article that playfully asks the question, “Where is Slovenia?” When Veronika is waiting to die from her overdose, she reads the article and decides to write a letter to the editor claiming that she killed herself because of the depressing effect of Coelho’s suggestion that nobody who’s anybody knows or cares where Slovenia is located.

In the end Veronika finds that she is truly free. Veronika seems to have everything at the beginning of the story: a job, boyfriends, and popularity. However, it’s those things that she comes to feel enslave her, and that’s what leads to the attempted suicide. In a way, Veronika is doubly freed. She is free because she is dying, and what can one do to a dying person. Second, she has been labeled crazy, and, having such a label, people expect her to act oddly. She has the freedom to do those things she has been too frightened to do all her life.

I’d recommend this metaphysical book. It’s short, readable, and offers clear food for thought.

Details:
Veronika Decides to Die, by Paulo Coelho
Harper Perennial, 2006
Paperback, 240 pages
Buy at Amazon

This book review was reprinted with permission from Bernie Gourley, who writes at http://berniegourley.com

A Case for Visionary Fiction, Part 3: Action Plan

Editor’s note: The following guest post by Victor Smith is the last of a three-part series on Visionary Fiction aimed at increasing awareness of the genre and helping readers discover, explore, and enjoy Visionary Fiction.

visionary eyeAround the turn of the millennium, several of us authors-without-a-genre developed a vision on the then-Yahoo Visionary Literature Forum to “ . . . advance the dream of a thriving body of visionary literature that contributed significantly to humanity, making the leap to that next level of spiritual and practical evolution without which our future prospects as a race seem bleak indeed.”

This article, the third in the series A Case for Visionary Fiction, expands on that initial vision to popularize Visionary Fiction.

The Genre for This Age

Regarding the primary characteristic of Visionary Fiction given in Part TwoExpansion of the mind or growth in consciousness is the hallmarkof Visionary Fiction—we can rightly claim that expansion of the mind is on the mind of everyone in their right minds today. And such expansion posits elements beyond the bounds of the average TV-conditioned consumer, thus making VF quite indispensable.

The Visionary Fiction Alliance Home Page states: “As the world evolves away from the Newtonian model of the five senses to the more evolved quantum model that includes the sense of spirit so resurgent today, Visionary Fiction is rapidly becoming the genre of choice to express that evolution and predict the breathtaking future that might follow the anticipated leaps. Under its broader umbrella are now gathering works previously classified as spiritual, metaphysical, or science fiction.”

In 1967 the arch-philosopher of communication theory, Marshall McLuhan, put out a provocative little picture book entitled The Medium is the Message, which illustrates how new media forms stimulate the human ability to sense in radically different ways.  Think what a field day McLuhan, who died in 1980, would have had with the digital world of the 21st Century. We have only just begun, and yet we can leap from continent to continent with a single click, access information about anything by typing a few letters, and communicate with a speed and volume that was science fiction in his day. Modern technology offers the visionary writer opportunities, if only by eliminating the tedium of research and composition, to explore human consciousness in ways previously unimaginable.

Also in Part Two is this  point: Visionary Fiction renders the reading experience interactive. Digital media enables and enhances interactivity. To the visionary mind, this is electrifying stuff, and electrifying stuff is what fuels us to sit for hours composing our works. Even marketing, a bête noir for most writers, can be more opportunity than challenge to the VF author advertising in the digital arena. So far, eBook publication and online promotion have largely been an electronic imitation of the printed publication process with the addition of niceties such as hyperlinks and instant dictionaries. Full implementation remains wide open for experimentation. Following the visionary paradigm that encourages cooperation, we can imagine a form of electronic marketing that is more about sharing graciously than shouting louder than the rest of the crowd.

Establishing Visionary Fiction’s Pedigree

Rather than the narrow sub-genre to which it is often relegated, Visionary Fiction is, according to the eminent psychologist Carl Jung, a super-genre that forms a major slice of the literary pie.  In the lecture, “Psychology and Literature,” in Modern Man in Search of a Soul, Jung divides all works of art into two distinct forms, psychological and visionary. “The psychological work of art always takes its materials from the vast real of conscious human experience—from the vivid foreground of life, we might say.” This is generally called realism. “The latter [visionary] reverses all the conditions of the former [psychological]. The experience that furnishes the material for artistic expression is no longer familiar. It is a strange something that derives its existence from the hinterlands of man’s mind—that suggests the abyss of time separating us from pre-human ages, or evokes a superhuman world of contrasting light and darkness.”

In Jung’s paradigm, the bulk of classical literature (the poems of Homer and Virgil, Beowulf and even the Bible) is Visionary Fiction. A few scholars besides Jung have made specific studies of the visionary form (Edward Ahearn, Flo Keyes); fragments exploring the concept are scattered through much literary criticism. But, to my knowledge, Visionary Fiction has been an elephant in the room with blind scholars examining its appendages, mistaking the part for the whole. Jung explains this myopia with an observation that explains why Visionary Fiction has been slow to catch on:

“The reading public for the most part repudiates this kind of [visionary] writing—unless indeed it is coarsely sensational—and even the literary critic seems embarrassed by it.”

One would think, given the importance Jung attributes to the Visionary mode, that scholars would stampede—and it is the intent of this series to stir up such activity—to expound on this vital cultural phenomenon. And yet even Wikipedia still relegates VF to a sub-category of Inspirational Fiction, an oversight the Visionary Fiction Alliance is now scheduled to correct.

Proper study, recognition, and development of VF might require the emergence of a competent field general, someone akin to John W. Campbell who in the 1940s promoted Science Fiction into the robust genre it has been ever since, and a few deep-pocketed patrons to stimulate the proper surge of interest. Many pioneers, whose efforts deserve to be documented in an appropriate history, have already plotted out the rough trail; it remains to lay down some smooth tracks to carry the product to the public in volume.

Baby Steps

However much time it takes before VF conventions draw thousands and glitzy award ceremonies are held for the VF Book of the Year, we can take practical steps, some already initiated and others suggested here, to increase VF’s hold in the public consciousness—Visionary Fiction is, after all, the art form designed to raise consciousness.

Once again, it is the internet that provides an inexpensive avenue for education and promotion, but its effectiveness requires a sustained effort and dedicated repetition (often on a shoestring) by those who aim to see VF go viral.

  • Insert #VisionaryFiction in every tweet possible.
  • Visit VF sites (some are listed by the Visionary Fiction Alliance) and generously contribute posts and comments.
  • Read other VF authors and review their works on Amazon, GoodReads, IndieReader, Smashwords and other venues where numbers count.
  • On your own website, cross-post with other favorite VF sites or list them in your blogroll.
  • Like/share worthy VF material on Facebook and Twitter. Volume activity raises search engine ratings and may eventually attract the attention of traditional agents and publishers.
  • Support the current effort to encourage the various online book vendors to properly and prominently categorize VF works (having VF properly defined in Wikipedia will facilitate this).

The Cooperative Model

The cooperative model is introduced here, not because it has been tried (it hasn’t) and is true (I, an optimist, believe it is), but because it is ideally suited to VF writers (also optimists by definition) who are producing works pertinent to society’s most urgent needs and demands at a time when the ideal delivery system (the internet) is in place. It is a radical opportunity because the old system, which assumes the 99% are born to contribute to the top 1% and individual celebrity trumps communal well being, is still the way to do things, fancy rhetoric invoking “the people” aside.

Even the most prolific writer acknowledges that readers consume books faster than he/she can write them. Thus, Author Paul promoting Author Peter does not rob Paul. John W. Campbell, with only the primitive pulp magazine model to work with, promoted a constellation of SF writers (van Vogt, Asimov, Heinlein, Sturgeon, to name a few), most of whom benefited from the others’ popularity.

The Visionary Fiction Alliance is building on the blueprint set forth nearly 15 years ago by the Yahoo Visionary Literature Forum:

“The Visionary Literature Forum was to be the launch pad for an electronic gathering place for writers, publishers, agents, booksellers and supporters of the emerging Visionary genre. Its purpose was to hold enlightened and mutually beneficial discussions on the definition of the visionary genre, its history and authors, effective writing practices, marketing methods, and industry trends. From such discussions we projected to create a structure (permanent website, more sophisticated discussion groups, professional association, annual awards, conference representation, even a marketing/publishing collective) that would advance the dream of a thriving body of visionary literature that contributed significantly to humanity making the leap to that next level of spiritual and practical evolution without which our future prospects as a race seem bleak indeed.”

While the Visionary Fiction Alliance site is not the only game in town or yet an optimum model, it is a working installation operated by active VF writers, regularly updated with new posts and pages exclusive to Visionary Fiction. Its members acknowledge that it is just the beginning for what is intended to be a “home base and central clearing house for readers, writers, and researchers dedicated to or interested in the emerging Visionary Fiction genre.” While formed originally as a safe haven for VF writers exhausted by the excruciating going-solo stage, the Visionary Fiction Alliance is rapidly becoming a laboratory for the cooperative model, an experiment in best methods to effectively pool knowledge, effort, and even funds to move Visionary Fiction forward.

This article and the earlier two in this series are intended as seed material rather than complete treatments. Please jump in below with comments, suggestions and critiques that will further this important conversation.

Related Posts

  • In Part One: The Bucket, we argued to establish a single brand name, perfect or not: Visionary Fiction.
  • Part Two aims to initiate a vigorous buzz around the characteristics of Visionary Fiction.
  • In Part Three, “Action Plan,” we examine practical ways the VF community can position the Visionary Fiction bucket, now chock full of goodies in high demand, so that authors can make frequent deposits with confidence in a vibrant marketplace, and readers can make regular withdrawals with a transforming experience guaranteed.
Victor Smith, The Anathemas Visionary Fiction

Victor E. Smith

Anathemas by Victor E Smith Visionary Fiction

A lifelong proponent of human spiritual evolution, Victor E. Smith has focused on paranormal phenomena and their manifestations.  THE ANATHEMAS, A Novel of Reincarnation and Restitution, is widely available. A prequel and a sequel are well underway.

 

Book review: Dark Night of the Soul

A real gem of metaphysical fiction

Dark Night of the Soul by E.M. Havens metaphysical fiction sci fi-fantasy novel

Tahlia Newland, guest reviewer

Rating: 5 out of 5 stars

Dark Night of the Soul is a real gem. E.M Havens has used magical realism in this YA novel to examine suicide and the issues that surround it, and like all the very best indies, it’s a completely unique voice that explores its theme in a brave new way.

Seventeen-year-old Jayden commits suicide and finds herself in a kind of purgatory where teams of people who have committed suicide protect other suicidal souls from the demons that whisper in their ears and incite them to suicide. Life in this purgatory is a series of battles. If they defeat the demons, the person lives; if they lose, the person succeeds in their quest for death and their soul joins the team. When a new member arrives, the Judgement–a kind of sparkly storm cloud–comes for another. If it’s you it comes for, you’ll meet a statue of yourself and you can either submit to the judgment or fight to keep the demons off your statue/soul. If the judgment takes you, you’ll either move on to the next realm, or you’ll go back to your life. It’s a second chance. It’s difficult to explain and it’s bizarre, but it works.

Havens takes us through a series of events in which Jayden grows as a person.This isn’t a story you can say much about without blowing the intricacies, surprises and beautiful ending. What I can say, though, is that I didn’t want to put it down.

The author skilfully revealed the details of the world and the character’s lives as the story progressed, so that there was always something new to learn and a different angle to take on what we’d already seen. A romance blossoms as well, one with a bitter-sweet flavour because it apparently has little chance of long-term success. The environment is surreal, taking the group of demon slayers through various terrain and a wide variety of accommodations provided by “Him.” Is it God? No one knows. One powerful image is of a Walmart in the middle of a desert where the manager uses televisions to show Jayden the options the suicides don’t see due to their tunnel vision. That’s when she learns why they fight to keep the demons from luring people to their death.

Though the subject is suicide, this is not a sad or depressing book; it’s a great tale with layers of meaning. Though it appears as a fantasy, everything is a vehicle for insight making it more precisely metaphysical fiction and magical realism.

It’s simply but effectively written and warrants 5 stars once an issue of formatting has been corrected.

Favourite quote:

“Is it Heaven.”
“No.” He looked down at me in awe, a smile gracing his burnt and peeling lips. “Better. It’s Walmart.”

Details:
Dark Night of the Soul, by E.M. Havens
E.M. Havens, 2013
Kindle, 166 printed pages
Buy at Amazon

tahlia newland visionary fiction author

Tahlia Newland

Tahlia Newland writes heart-warming and inspiring contemporary fantasy, magical realism, and visionary fiction at tahlianewland.com, and she also writes reviews for AwesomeIndies.com

Book review: Vingede

An excellent and eerie metaphysical mystery

Tahlia Newland, guest reviewer

Rating: 4.5 out of 5 stars

Vingede (The Friar Tobe Fairy Tale Files, #2) metaphysical mystery

The second of Krisi Keley’s Friar Tobias mysteries is even better than the first. Once again the author’s background in linguistics and theology provides the unique material for this superb supernatural mystery.

A man seeks Tobias’s help for his foster son. He thinks the child may have witnessed a crime, but the boy has a speech problem due to either autism or schizophrenia, so no one can understand him. Like Ms Keley, Tobias has a degree in linguistics which is why the man seeks him out. Paolo speaks in poetry and makes obscure references to what Tobias eventually figures out is an old fairy tale about a girl and her eleven brothers that are turned into swans by a wicked witch. He senses that someone is in trouble, but who?

Tobias’s friend, the psychiatrist priest, wants him to meet a mute and apparently traumatised girl who has turned up in a hospital and, in what appears to be sheer coincidence, her sketches indicate that she fills the role of the girl in the fairy tale. But where are her eleven brothers? And how does Paolo know all this? This description is a gross simplification of a story with many subtleties, but as with all good mysteries, our suspicions are aroused and the pieces come together at the end.

Ms Keley manages to imbue her mystery with more than just the supernatural. As with all her books, questions of spirituality are at the core of the story. Tobias is a staunch Catholic. He believes in leaving sex until marriage, so his girlfriend, Samantha, who he met in his last case, must wait with him, and this provides some interesting topics of conversation. The nature of the crime and how it reflects present day morals is also a matter of thought-provoking reflection on Tobias’s part, but both these issues sit quite naturally in the story simply because of who Tobias is.

Ms Keley is a master of the English language. Her prose flows beautifully (though I did find the first sentence rather a mouthful) and she expresses subtle ideas succinctly and elegantly. The characters are charming with a delightful intelligent banter between Tobias and Samantha. The plot is interesting, the pacing never languishes and the editing is sleek.

Overall the book is an excellent and eerie mystery about a sick crime that needs a little supernatural intervention to bring the perpetrator to justice. This is a wonderful example of the kind of gems you’ll only find in independent fiction. It’s an entertaining, skilfully executed mystery, but it’s also different, deep and thought-provoking. I highly recommend it for those who like private investigator stories with supernatural and metaphysical elements.

Details:
Vingede (The Friar Tobe Fairy Tale Files), by Krisi Keley
Krisi Keley, 2013
Kindle, 183 printed pages
Buy at Amazon

tahlia newland visionary fiction author

Tahlia Newland

Tahlia Newland writes heart-warming and inspiring contemporary fantasy, magical realism, and visionary fiction at tahlianewland.com, and she also writes reviews for AwesomeIndies.com